Thursday 16 November 2017

Showgirls (1995)




Showgirls is surely the best bad movie ever made. It doesn’t matter which way you look at it, it’s a really shit movie, but it is sooooo shit that it is humiliatingly enjoyable. I advise from experience that anybody watching Showgirls with a partner or group do so from the outset: I have been driven mad by the many idiot friends I had squatting in my house in the past, who would wander in halfway through and say, ‘What’s this fucking porn you’re watching?’ I guess writers Verhoeven and Eszterhas would be thrilled at the prospect, but it wore my patience thin.
Nomi Malone (Elizabeth Berkley from Saved by the Bell) hitches her way to Las Vegas to be a ‘dancer’, and gets her suitcase stolen. Somehow, by vandalising a car and almost getting mowed down by another car, she attracts the affection of seamstress Molly, even when she is breathing vomit breath like….right into her fucking face. Molly’s a good friend. A few weeks later, the girls are best friends. Molly works on the show Goddess sewing costumes, while Nomi has found gainful employment at the gentlemen’s club The Cheetah (ref: Roger Ebert’s definition of a gentlemen’s club). Nomi dances like a hot epileptic on amphetamines. But she gets naked and I guess that’s what the johns pay to see, so she somehow makes a living this way.

Gross
Meanwhile, she naturally dreams of rising to the top, and becoming the headline star of Goddess. Obnoxious glamorous redneck Crystal Connors (Gina Gerschon) is top of the bill, in the bosses’ high esteem, and the squeeze of sleazy hotel promoter Zach (Kyle MacLachlan). Nomi’s sociopathic attitude makes her a perfect fit in Vegas and a perfect match for the slimeballs she has to audition for to wiggle her way to the top. But her outrageous behaviour, which must surely place her somewhere high on the autistic spectrum, is good for laugh-a-minute comedy. Consider the fate of the poor French fries, having found their way into Nomi’s cardboard tray outside a diner. She is angry at being questioned by Molly, and having practically disembowelled a bottle of ketchup with a single thrust, she sets about the poor innocent fries and shoves them all over the table in a frustrated jerk. This must be some new trendy kind of eating disorder. Everything she orders hits the deck before she even unwraps it!

Showgirls is bad, like I’m bad, chamone, you know it. And almost every line makes me laugh for all the wrong reasons. When it’s not dialogue that’s making you bite your tongue, it’s usually one or another factor of Berkley’s frenetic physical delivery. The infamous pool sex scene between Nomi and Zack leaves us all wondering how she escaped the debacle without either a broken back or water on the lungs; while her licking the strip pole of the Cheetah club leaves us all wondering if she escaped the debacle without several venereal diseases.

I have long wondered to what extent Showgirls portrays the true Vegas underground. I mean, who could resist auditioning for a guy whose opening line is ‘A lot of people say that I’m a prick – I AM a prick!’? What fat slobbery male in the rabid audience of the Cheetah could fail to spunk his pants over the riddle ‘Ya know what they call that useless piece of skin around a twat? A woman!’? That is apparently meant to be a joke, but quite frankly, I have heard funnier things during biopsies. At some point you have to ask yourself how Ezsterhas ended up being the highest paid writer in Hollywood in the mid-‘90s, when his most rousing one-liners were the likes of ‘Dancing ain’t fucking’ and ‘You ain’t just a pain in my head and a pain in my dick, you also a pain in my ass!’ I am of the educated assumption that his status has slipped somewhat in the years since.

However, some of the characters and their whole beings are caricatures created entirely for the LOLs. Al, the slimy cigar-chewing manager of the Cheetah club was born to be in the business, and beautifully describes his profession to new girl Penny in the elevator pitch of the century. ‘He pays, you take him in the back. You can touch him, he cannot touch you. Unless he gives ya a big tip. If he cums, it’s OK. If he takes it out and cums all over ya, call the bouncer. Unless he pays ya. You wanna last a week, you gimme a blow job. First I get ya used to the money, then I make ya swallow.’ Don’t call us Al, we’ll call you.

Nomi, bless her dumb liplined little heart, is an unwitting source of comedy in her idiocy. From her now-legendary mispronunciation of Versace, to her hideously OTT reactions to most situations, she is comedy gold. Of course, in real life, she would have no friends and considerably more mutilations. She talks to people like shit, throws and smashes things continually, and is in the habit of making men feel instantly uncomfortable by talking about her period. Take that Al – your misogynist shit is no match for period talk!

She also has the oddest ideas about what turns people on. Her dance routines are absurd, her boning technique probably the cause of many a fractured penis over the years, and her stripteases are more like paid face-rapings. I couldn’t help but feel sorry for Zach having been humped to within an inch of his life in a strip club, who now had to try and enjoy the rest of his night out with cum in his pants. I mean, is that what his girlfriend paid $500 for? The logistics of this could have been better planned, methinks.

Showgirls has to be seen to be believed, and loved. It stands as a favourite of many cult figures such as Elvira and Michelle Visage, and enjoys the same sort of midnight cult following that Rocky has embodied for decades. It is the sort of movie that should be enjoyed responsibly with a crate of beer and some pizza – while you sit back and secretly thank your stars for Nomi not being there… that pizza would be under the wheels of the nearest pick-up truck before the box was even opened.

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