The Craft has something of a notorious place within my existence. As I have written before, my parents were hippies and Wiccans, and I was raised within the Pagan community for the first eight-or-so years of my life. When my Mum's Catholic piano teacher died of cancer around that time, my mother, for whatever reason, had some metanoia and suddenly became a Catholic and insisted on taking me and my younger siblings with me - causing much turmoil between Mum and me in my early adolescence. My dad continued as a privately practicing Pagan, telling my sister Relly and me every night and every time we said goodbye 'Goddess bless you'. He continues to do so to this day.
When I was 12, my awesome stepsister was 'babysitting' me and Rell one night, and showed us the movie The Craft. I started making mental connections, and one day confronted my mother, 'Were we Wiccans?' and she was very quick to shut down the conversation. A year later, I was well-studied in Wicca and had had many informative discussions with my old man, and considered myself a practicing Wiccan. One day I made the mistake of mentioning The Craft to my Mum and she went ballistic, and confiscated my video of the movie. Upon my fifteenth birthday (the movie is a 15 certificate in the UK), I rebelliously flaunted my very own DVD copy, with the knowledge that legally my mother couldn't stop me!
Of all old favourite movies, The Craft remains mostly unchanged in my estimations over the years: it is not a great movie, but it's a bloody good teen movie that many millions hold dear as a cult favourite. Sarah (Robin Tunney) has moved to some town from San Francisco with her father and stepmother. Their house is the perfect modern witch house, and on the rainy day they move in, Sarah is confronted by a local bum carrying a snake. Her father chases him off the property. When she starts at the local Catholic school - where the kids have to wear uniform - she attracts the attention of Wiccan trio Nancy (the gorgeous Fairuza Balk), Bonnie (Neve Campbell in the midst of her '90s peak) and Rochelle (Rachel True), who sense that Sarah is the 'fourth' that they have been seeking to complete their ritualistic circle.
Although the girls get off to a bumpy start after introducing Sarah to their shoplifting habits at a local occult store, they quickly become close friends and develop their cumulative powers. Meanwhile, jock Chris (Skeet Ulrich, also of Scream), has expressed an interest in Sarah, but spreads vicious rumours about her the day after she turns down his invitation to go back to his house. Chris, having previously done something similar to Nancy, draws both the contempt of the circle and the infatuation of Sarah, and his subjectivity to their powers is ultimately his undoing.
The girls each pursue their individual angsts with their newly developed powers: they are good characters in their own contexts, and played well by their respective actors, and they have a fabulous chemistry as an ensemble, which we all know is of high importance to any good teen movie. Although the actors were all into their 20s at the least (Rachel True was actually 30, and has aged incredibly in the years since!), they really invoke that high school feeling that any adolescent can identify with, and as a teenager, I loved that I saw parallels between the girls and myself. There is rage, and jealousy, and rivalry, and social frustration, and who hasn't been there, and felt that it was the end of the world?
Of course, The Craft is somewhat exaggerated in the realities of Pagan practice. I have never known of a Pagan who could carry out the tricks that these girls do, because that's not how magick works. It's about the use of energies and the powers of nature, it's not about levitation and metamorphosis and casting hallucinations. But the fantastical quality that the fictionally 'witchy' theme brings is a brilliant way to tie the whole picture together, and to visually manifest the raging hormones and firey emotions of a group of teenagers. The Craft is no masterpiece, but it is exactly what it sets out to be: a highly relatable and entertaining teen movie, and it is very dear to me.
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